Cross-Listed Courses are courses taught by faculty who are cross-appointed to English and another Graduate Unit. These courses offer a significant literature component. The Cross-Listed Courses will be posted on this page as they become available.
Graduate Students in English should consult with their Associate Director or Director of their program before enrolling in one of these courses.
Centre for Comparative Literature
Courses Cross-listed Courses with English: TBA
https://complit.utoronto.ca/
For room information, see ACORN, QUERCUS, or contact the Graduate Unit offices.
Centre for Drama, Theatre, and Performance Studies
Courses Cross-listed Courses with English: TBA
https://www.cdtps.utoronto.ca
For room information, see ACORN, QUERCUS, contact the instructor, or contact the Graduate Unit offices.
Centre for Medieval Studies
Courses Cross-listed Courses with English: https://www.medieval.utoronto.ca/
For room information, see ACORN, QUERCUS, contact the instructor, or contact the Graduate Unit offices.
MST1117HF (Room LI 310 ) Medieval English Handwriting 1300-1500 (Professor S. Sobecki) Mondays 11:00 am to 1:00 pm
MST5004HS( Room LI 310 ) Topics on Medieval Manuscripts and Textual Cultures (Professor W. Robins) Tuesdays 2:00 pm to 4:00 pm
Cinema Studies Institute
Courses Cross-listed Courses with English:
CIN1005HS: Special Studies in Cinema: Issues in Feminist Filmmaking https://www.cinema.utoronto.ca
Professor Sara Saljoughi
WINTER: Fridays 11-3
For room information, see ACORN, QUERCUS, contact the instructor, or contact the Graduate Unit offices.
This seminar will explore recent issues in feminist filmmaking, with an emphasis on aesthetics, geopolitics, authorship, and methods. The course will undertake an in-depth study of a limited number of films, which will be selected from across a wide range of geopolitical contexts, historical periods, and styles. While we will address questions of the gaze, gender, and sexual difference as they appeared in second-wave feminist film theory, we will also critically examine more recent developments in feminist approaches to the moving image, such as archives and/or their absence, activism, ethics, and the persistent question of authorship. Texts will engage with a range of questions that may include colonialism, empire, race, sex, sexuality, mothering, labour, and abolition, among others. The seminar will also devote attention to our own methods of working with, on, and alongside these texts.